— stella untalan : artlog

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Light­ness.

Danc­ing, float­ing, weightlessness.

A good start.

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Work­ing black and white. That’s it.

Line.

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Egypt­ian waters is an incred­i­bly suc­cess­ful series of draw­ings for me. I have two full series each has 10 draw­ings. Two of the draw­ings were recently acquired on the west coast. The two are from the sec­ond series and are shown below.

There is inter­est in four oth­ers. I have my fin­gers crossed.

Each egypt­ian waters series includes ten ink draw­ings. These draw­ings are made using a group of spe­cific marks – a per­sonal hiero­glyph­ics. The pens I use have fixed width nibs. Each draw­ing is made using only one nib. The vocab­u­lary is made up of marks that in iso­la­tion define a dis­crete aspect of a state of water. When placed in a par­tic­u­lar order they cre­ate a story about a body of water. This story can be read line by line, or from left to right, or from top to bot­tom or as one image.

egypt­ian waters : wait­ing for a wave

egypt­ian waters : midnight

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I’ve been work­ing on some very active draw­ings this sum­mer. These four red squares are cry­ing out for names. I haven’t dis­cov­ered them yet. I thought if I put them at my blog I could look at them more and think about names. I also told folks that I would post the draw­ings when they were fin­ished. So here we go.

This first draw­ing is con­fus­ing me. I drew it mov­ing the paper— some­times one edge was the top some­times another. I haven’t set­tled on this ori­en­ta­tion yet but it seems likely it will be this or a com­plete 180°.

 

This is like a breeze.

 

 

This is the hottest of the group. It might need to be heat.

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I’ve been work­ing on new draw­ings for a cou­ple weeks now. I just uploaded my new series Win­ter Twins to my web­site. I’ve added one below.

Check out the full series here: http://www.stellauntalan.com

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I’m really thrilled to finally get my web­site relaunched. I was able to scan the entire egypt­ian waters two series and make a gallery for the draw­ings. New draw­ings have been added to the cos­mic strings series too. The wel­come screen is an actual size snip­pit from one of my works pub­lished at the site. The crop is pro­grammed so it hap­pens and what I get is a sur­prise. I like that.

It is exhaust­ing try­ing to keep my art vis­i­ble espe­cially when I haven’t had the time to par­tic­i­pate in any calls for entry recently. Hope you enjoy the new site and the new work. More news com­ing soon.

go there >

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Spent sat­ur­day with my pal pho­tograph­ing a body of work that was too big to scan. It’s excit­ing to think about get­ting this work on the web. It’s also cool to think about the whole process of documenting.

The time moves quickly when you have a really good pho­tog­ra­pher and you are pre­pared. Yet, you have the time to con­sider each piece you shoot and become famil­iar with it again.

I real­ized that I prob­a­bly should have changed the back­ground on a whole series to show the white chalk marks… Silly me. Oh, well. The empha­sis on the black marks works. I didn’t really think about this until I was more than halfway through the series. I’m not exactly sure what I would do to cap­ture the white chalk. Hmm.

Another prob­lem to solve.

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I worked lots of hours yes­ter­day on the new web­site. The work that is most dif­fi­cult is the deci­sions I have to make as an artist about how I want my work seen — in what con­text. Do I want these images grouped together even though the chronol­ogy would place them near eachother? How many gal­leries of images do I want to show? Nam­ing, oh my nam­ing. Each series cre­ates an onion skin lay­er­ing of titles. How do I want that to work?

How many new pho­tos do I need?
Am I putting a photo of me with the bio?

Geeze. Now I’m really glad we’re mak­ing heavybubble.com

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Ok, lots is going on behind the scenes. I’m mov­ing my art site into the heavy­bub­ble frame­work. I look for­ward to let­ting every­body take a look at my work in the new space.

Heavy bub­ble is a ser­vice that Stel­larvi­sions has been work­ing on for sev­eral months. Artists will be able to cre­ate and main­tain their own web­sites. We will be build­ing numer­ous designs that are per­fect for the pre­sen­ta­tion of work in a pro­fes­sional setting.

The thing is I do need some work pho­tographed.
Oh well, its always that way.

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I finally have posted four pieces that were drawn dur­ing the sum­mer. I was inves­ti­gat­ing mak­ing draw­ings with pen­cil and sit­ting down — a very dif­fer­ent expe­ri­ence for me in the stu­dio.
colored pencil on paper<br /><br />11

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